
Performance Mode works well and has FL's customisably colourful visual flair, along with a handy clock-style 'fill' of the Track name as the clips you've pressed play through. It is now much faster to get going with a Launchpad, Maschine or other supported hardware.


32 or 64 Bit versions of Windows 8 Windows 7 Vista XP (with service pack 3).The faster your CPU and more cores it has the more you will be able to do simultaneously. 2Ghz Intel Pentium 4 / AMD Athlon 64 (or later) compatible CPU with full SSE2 support.Used as VST instrument in another host e.g.Internal controllers as a modulation source.Full automation of all enabled parameters (as Event Automation).Piano roll allowing chords and note-slides.Supports unlimited VST & DX plugin instruments.Effects - Delay Delay Bank Equo Flangus Love Philter Vocoder Parametric EQ & EQ2 Multiband Compressor Spectroman Stereo Enhancer Wave Candy Wave Shaper Soundgoodizer.Instruments - TS404 3OSC Autogun Channel Sampler BooBass Beepmap Plucked Fruit Kick Chrome FPC WaveTraveller Dashboard KB Controller Fruity Vibrator Midi Out FL Slayer FL Keys Granuliser.4 to 64 notes in the Step Sequencer per pattern (up to 999 patterns).Unlimited number of instrument Channels.Access to the Mixer (104 Mixer channels rerouting integrated EQ and more).Play back or render a single pattern at a time of up to 64 steps.Route and mix Channels through any number of the 104 Mixer tracks and add effects such as delay reverb flanging chorusing EQ etc.Each ‘loop’ pattern can consist of an unlimited number of Channel instruments/samples.Enter velocity pan modulation pitch and note-start offset per-note.Enter beats or monophonic notes on each instrument Channel (unlimited Channels).Program or record 999 separate ‘loop’ patterns into the step-sequencer.Fruity Edition adds access to the Playlist Pattern Clips for complex and lengthy arranging/sequencing and automation of program/plugin parameters.

Fruity Edition is aimed at composers who need Piano roll for complex melodies and to record/play chords.
